Last month we received the Fall/Winter 2014 Campomaggi collection, which features a return to more classic Campomaggi inspired designs and a departure from the open tote in a seemingly infinite number of varieties that was starting to bore fans. What we received is very exciting and some of the models are certainly destined to become classics.
Out of all the new designs, the most interesting one features two columns of studs rising from the bottom of the bag and stopping where they meet the zipper of the front pocket. At the other side of the zipper begins the handle.
A square shoulder tote that can also be worn crossbody
The line presents the logo in the front, which is a departure from the classic logo on the back. The PALMIERI is one example of this. My feeling is that the decision to move it was prompted by customer requests.
Another cool design presents a vertical column of exotic studs that wraps around the bottom of the bag. Like the previous line the studs look solid and not ready to pop out and create headaches and definitely contribute to the rugged look of the famous Campomaggi distressed rugged-chic leather.
Shoulder bag with studded strap detailing and curled up leather.
This particular model, the PASEO, also features the “arricciature” style that uses leather that has been slightly folded together to give it a crumpled look. It is a nice detail that works well.
Two other new designs can be seen on the C1820 and C1764. The C1820 is a classic Campomaggi tablet bag, unusually small and welcome by those who don’t need to carry much any more. The C1764 features the “manette” (handcuffs) design feature: the shape of the bag and the feature make it very attractive.
At present, you can find these bags in the Just Landed section of the web site. As time flows they will be moved to the catalog.
Many of the older Campomaggi bags can be found on sale here on the Campomaggi Fall 2014 Clearance page. Use coupon code CM30FALL to get your discount.
Our latest shipment of Murano Glass arrived this week, and not a moment too soon. The orders are coming in for Christmas ornaments! Luckily, we still have about 15 left. Murano Glass is enjoying a moment in the spotlight after the recent news of Amal Clooney gifting new husband George Clooney with a set of Murano Glass tumblers in honor of their wedding.
The NATALE Murano Glass Christmas Ornament.
The FESTE Murano Glass Christmas Ornament.
Murano Glass is close to our hearts. Three years ago, Daniele went to visit our glass makers, Maestro Imperio Rossi and his team on the island of Murano, Italy. He got to see the glass being blown and shaped at the furnaces. Here is a view of what goes into making Murano Glass:
Maestro Mario Costantini blowing a glass vase.
Maestro Mario Costantini shaping glass into a horse.
A murrina is a slice of a fused bundle of colored glass tubes, and here is a vat full of them!
The sun setting on the island of Murano.
While a trip to Murano remains a dream for many of us, we can all have a little piece of Murano by owning an ornament or one of the other beautiful Murano Glass figurines!
The headlines thrilled us: ‘Amal Alamuddin’s Surprise $3,700 Wedding Gift to George Clooney Revealed!’ What was this pricey gift? None other than handmade Murano cocktail glasses – a whole set of the same glasses that they drank out of at a hotel at their Venice wedding.
We share in this appreciation of Murano glass – Marcopoloni founders Daniele and Emi can be seen in their office each day sipping from their beautiful Murano glass tumblers. Here at Marcopoloni, we celebrate artisan-made products, believing that you can feel the soul that has been infused into a product at the hands of an inspiring artisan. That is why we sell Murano glass — vases and tumblers and decorative figurines known for their unique beauty and made in Murano, a series of islands in Northern Italy.
Clearly Amal Alamuddin – now called Amal Clooney, having legally taken her new husband’s name – shares in this appreciation for quality handmade works of art.
“Amal loves the idea of them having the same cocktail glasses that they use at the Cipriani Hotel in Venice,” according to an article yesterday in E! News. “George admired them every time he looked at them during the wedding celebrations and they didn’t have time to go shopping in Venice, so she’s ordered them in as a post-wedding gift for him. It means that every time they curl up with a cocktail at home they’ll think of their wedding and be reminded of all the happy memories.”
Another important thing about buying Murano glass is that it helps support the glass artisans in Murano who are in danger of losing their livelihood as more and more mass-produced products compete for the space on store shelves. At Marcopoloni, we sell the art of Murano Glass maker Maestro Imperio Rossi. He loves making glass masterpieces because that is how he gives shape to his ideas that embody his creativity. This passion started in 1964 when, at age thirteen, he began learning from his father and other Maestri the tradition that has lived in Murano for over one thousand years.
Making glass is a team effort. Master Rossi has owned his furnace since 1986 and is joined by Maestro Mario Costantini, and a small team of glass craftspeople who share his dedication and passion for creating beautiful artistic glass. His daughter Sara and his son also help run the business.
So we congratulate the Clooneys and applaud Mrs. Clooney for her giving such a thoughtful gift!
One of the most successful websites to offer handmade, artisan products – Etsy – quietly changed its policies last Fall and allowed in manufacturers. One year later and the site is flooded with items like $3 wrap bracelets supposedly “handmade” in China. Many of the true artisans on Etsy have seen their business plummet as their goods are much harder to find among Etsy’s one-million-plus storefronts.
Even as the movement toward handmade, local, artisan-produced products grows, there is a struggle to define and maintain true handmade status. Etsy broadened its definition of handmade to include “partnering with manufacturers.” Yet they still define themselves as “a marketplace where people around the world connect to buy and sell unique goods.” The same thing has happened in Italy, where companies selling leather goods are allowed to ship pieces overseas and have most of the manufacturing done there while still using the “Made in Italy” label.
At Marcopoloni, our owners travel to Italy every summer to visit the artisans who make many of the leather goods for sale on our site. We are able to see with our own eyes that these products are truly handmade, and offer that assurance to people who buy from our site. So, if you are looking for true handmade products, you have come to the right place!
My first interview with Alessandro revolved around finding out more about Maledetti Toscani. Alessandro began by giving me a little bit of his family business’s history and then elaborated on how his family has, since 1848, defended the true made in Italy, which, he defines, is a label that should only be allowed when something is really entirely made in Italy (not somewhere else for the most part) and by a company legally operating in Italy who employs legal Italian workers.
Finding companies that embrace this philosophy has been extremely hard but it is a philosophy that matches ours completely. So we are elated to do business with Maledetti Toscani. The point may seem extremely simple. But it is not simple at all. Companies taking advantage of the fact that they can say something is made in Italy while it is mostly made in China, India, or Bangladesh are allowed to make false claims about their products. Since “Made in Italy” implies a certain type of skilled craftsmanship, environmental concern, and respect for worker rights, being able to apply the label while getting the product made somewhere where these aspects are bypassed means that the consumer is led to perceive something that is extremely far from the truth.
One of the pillars upon which we founded our company is authenticity. Authenticity is the word we use to also mean honesty and integrity. If we allowed anything that is not 100% made in Italy be described as being 100% made in Italy we would be breaking our promise to our customers and to ourselves: we would be straying from our beliefs for the sake of following the easiest road to profits. That is why we recognize that profits will only come for us when we have delighted our customers with integrity: so we treat profits as a byproduct of helping our customers be confident when they buy from Marcopoloni, not as a primary goal. I will talk about that in greater detail later, for now go check out some Maledetti Toscani shoes and watch this genuine video.
The Marcopoloni Team as captured by the Campbell Reporter photographer
When Allison Williams with the Campbell Reporter set a time to come and interview us, Emi and I realized that we needed to get a few points across very clearly. We figured that Allison would want to know what drives us to be in our business. We have been trying to clearly define our brand, which we interpret as the expression of what we are about, for years now and it is still definitely a work in process.
One message that we have tried to communicate since the very beginning is that we are trying to preserve the way of the artisan. Personally, I grew up in Italy with the fortune of visiting every region by the time I was a teenager. In the process I drove through so many places and saw so many artisans at work and small shops creating wonderful goods that I feel that this artisanship is the fabric of the Italian way of life. When Italians don’t cut corners, the results are amazing. I expanded the saying “you are what you eat” with “and drink, breathe, and wear” because I really think that everything we experience affects our well being and I believe that it is worth it to make those experiences the best they can be.
That Italian way of life that gives us so many wonderful experiences is under the pressure of greed. When we figured out that there was money to be made by selling imitations that are the result of cutting corners at every corner, everybody started doing it. This has caused a great number of artisans to lose their jobs and the number of young apprentices to drop. I think that this is short-sighted because if we lose our artisanship we lose that artistic flair that got us here.
Allison did a very good just to capture our feelings. Read the full article here: http://www.mercurynews.com/ci_26509143/campbells-marcopoloni-supports-artisan-craft
In my previous reviews about the TOSTA Silver Leather Sneakers I talked about how much I fell in love with them. Now that I have had them for three months I am starting to get to know them a little better. One thing is for sure, I like to wear them with long jeans so I did not bring them to Italy where I was expecting it to be really hot, and I couldn’t wear them here in San Jose when it was pretty hot until the middle of August. By the time the weather cooled just a little bit I was really anxious to wear them again. I do not know how to express this but my feet were longing for the time I would be able to wear them: they’re just absolutely in love with these shoes.
After three months of use I am starting to get to know them and here are my impressions. It took a little while for the shoes to break in at the beginning: they felt a bit stiff, but that is normal in new shoes and part of if was caused by me tying my laces too tightly. Figuring out exactly how tight to tie them took a little while. If they are too tight it will hurt your ankle and if they are too loose they will easily come undone. Part of the fear of tying them comes from the silver dust that you generate when you tie your shoes during the first few days of use. By now I expected all of the silver to be gone from the the top of my laces but it looks like some of it will stay–enough to still look silver and not completely brown.
Yesterday I walked for more than two hours with them because I took Marco along to get the car serviced and then we went for a really long walk while we waited. That was after we had taken another walk to the park in the morning. I think that because the weather was cooler, it didn’t reach 80 degrees, I didn’t get hot and uncomfortable so I didn’t get tired at all. I felt that my Maledetti Toscani shoes were broken in and fit perfectly snug.
Ultimately, the reason why I love my TOSTA Silver Leather Sneakers is that I believe they look great on me when I wear my distressed gray jeans. Feeling like you are wearing something cool is priceless.
On August 25 I suddenly realized that it was my birthday. It was a sudden realization because we had already celebrated with friends over the week-end, and now it was just another boring and busy Monday. Then, I had another realization, and this one wasn’t as exciting: I am finally older than my shoe size. Well, that, along with the many MP bucks I accumulated over the years [note: I have gone on a bit of a spending spree this year and my balance is getting a bit low], pointed to a very simple decision. I need to celebrate this stupendous occasion with a pair of STUPENDO.
STUPENDO Artisanal Italian Leather Ankle Boots
This is my second pair of Maledetti Toscani shoes in three months. But it is totally justified: I just happened to read the you shouldn’t wear the same shoes two days in a row because shoes need to breathe so I had let my TOSTA take a breather. Since I had every objection covered I went ahead and got them. So how did they feel?
Just like the TOSTA, the STUPENDO feels stiff and it doesn’t seem to provide much arch support. It also makes me worry that the zipper will open on its own. On the other hand, the leather looks like it can take the abuse and regenerate (unlike the TOSTA which is not going to regenerate its silver shine if you rub it off).
Despite the fears, I love wearing the boots for their looks. They are a dressy casual that I really love and I can certainly feel the difference, as I wear them, between these shoes and the cheaper ones I used to buy. My Italian feet can finally be happy. I am going to wear them on my long walks and see if they hurt my feet.
Oh, and my birthday turned out to be fun. Peggy brought a wonderful cake and we had a fun afternoon at the office. This was definitely a good birthday!!
I have been using a GOTO SBRUFFO Murano Glass Tumbler for a couple of years at the office and I love it. It is very luxurious and it has such a wonderful texture I really enjoy holding it and drinking out of it. But there is another style Murano Glass tumbler that has been calling my name and I want to buy a set to bring home where, at present, I don’t have any Murano glass.
To be more specific what has caught my fancy is the GOTO COLATA Murano glass tumbler. We have six in stock and I want all six because I envision using all six. We either invite two or four adults over with their kids. I wouldn’t dare giving these to the kids so with a set of six I will be all set. The question remains whether these could work as informal wine glasses. I have been using the set we got for our wedding and it is so nice to drink wine out of a proper glass that I wouldn’t want to downgrade too often. Perhaps they will work great with beer, I don’t know, I will have to figure it out.
One of my favorite Murano glass tumblers.
The biggest problems that these tumblers would solve are, first, that they are smaller than wine glasses so they are less likely to get broken, and, second, that people always seem to misplace their glass and we don’t have to resort to other methods such as writing on the glass or using some kind of charm to identify each.
Above all, what I am looking forward to is falling in love with these tumblers. Holding the result of millennia of glass blowing traditions and watching the beauty of each item as it interacts with my friends and family is priceless.
When we went to Italy we decided to bring a Crivelli canvas Campomaggi backpack as an easy to carry carry-on that we could take everywhere with ease. We filled it with mostly Marco’s stuff so it became a sizable diaper back during the trip.
The Crivelli Canvas is a spacious Campomaggi backpack
Besides being spacious, the backpack had quite a few features that I appreciated during the trip. The first thing was that I could get to the contents with just one hand. The magnetic buckles are easy to find and undo, you can flap the flap open, undo the drawstring by pulling on the fastener, loosen the tightened closure string and you are in. The way I described it sounds laborious and it is, but given that it is a backpack, you really don’t want it to be too easy to access when you are worried about pick-pockets. This leads me to the other thing that I liked: for access to emergency items, such as wet wipes, the two front pockets were absolutely perfect. The magnetic buckles closed them securely and made them easy to open. I thanked Marco Campomaggi many times for designing the backpack like that.
The Crivelli canvas backpack is very nice as it almost feels like Campomaggi created it so that he could use it. It is extremely robust and the shoulder straps are padded so that it is not only comfortable to wear, it is also not painful if you choose to pick it up by one of the straps. There is also a very solid short handle that you can use. I thought that it was well designed, light, and a pleasure to carry.